Kianí del Valle: Adidas Y-3
EL TÚNEL, a visionary performance by Kianí del Valle and KDV Performance Group, premiered at Theater des Westens, Berlin.
The groundbreaking production embodied Kianí del Valle’s unique artistic vision, delving into the profound complexities of quantum realities through a hypnotic fusion of choreography, sound, and cinematic narrative. Created in partnership with Y-3 - the avant-garde label born from the collaboration between Yohji Yamamoto and Adidas - the work unfolded as a living essay on the fluid nature of existence, merging movement, fashion, and image into one unified field of experience.
“one of the most talented choreographers of our time.”
Under the visionary direction of Kianí del Valle, an acclaimed director and choreographer known for her work with renowned artists such as Billie Eillish, Travys Scott, Labrinth, and Bad Bunny and experimental artist like Lyra Pramuk and Floating Points . Kianí has also made significant contributions as a movement director and choreographed the dancers for high-profile projects, including the fashion film for Selfridges London and live performances at prestigious events like Coachella, Fuji Rock Japan and Sonar Festival.
“Kiani del Valle is a master of movement in more ways than one, Del Valle shape-shifts, contorts and morphs to convey emotion and truth, using dance as a vessel for expression.”
Original soundscapes by Kelman Durán and intricate movement compositions by Kianí del Valle and her ensemble shaped a series of interconnected narratives exploring reality, parallel worlds, and transcendence. The avant-garde designs of Y-3 amplified the work’s visual and emotional depth, merging high fashion and performance into one cohesive vision.
“striking tableaux that questions the boundaries between reality and imagination”
Audiences were immersed in an experience that transcended traditional performance boundaries, with innovative lighting and sound design that enhanced the emotional and psychological landscape of EL TÚNEL. Kianí del Valle’s visionary approach invited attendees to engage with the performance on multiple sensory levels, prompting reflection on their own realities and experiences.
“The cultural boundary between dance and fashion is a permeable one and is becoming even more important as runway shows continue to evolve from static displays for buyers into more theatrical events.”
The premiere of EL TÚNEL at Theater des Westens was not only be a show for the senses but also a prophetic moment that redefined the boundaries of performance art: a significant cultural event of the season.
